Bobby Talks Cinema.com - Bollywood Movie Reviews, Inspired Cinema, Movies To See Before You Die, Articles on Cinema, Music, Poetry & Life.
loading
loader

A warm welcome to all friends visiting the site with a loving invitation to read my personal expressions on movies, music, poetry and life.

Music and Movies are like Ears and Eyes to me and if you also feel the same, then you are going to enjoy every moment spent on my works here, for sure.

Do send in your valuable comments and suggestions as they would be my guide for all the future works.

ENJOY!

 
 
  Directors I Love  
  Alfred Hitchcock  
  Mehboob Khan  
  Woody Allen  
  Akira Kurosawa  
  Basu Chatterjee  
  Bimal Roy  
  Charlie Chaplin  
  Chetan Anand  
  Govind Nihalani  
  Gulzar  
  Guru Dutt  
  Hrishikesh Mukherjee  
  Kamal Hassan  
  Ketan Mehta  
  Mrinal Sen  
  Quentin Tarantino  
  Raj Kapoor  
  Richard Attenborough  
  Sai Pranjpe  
  Satyajit Ray  
  Shyam Benegal  
  Steven Spielberg  
  Vijay Anand  
  Ram Gopal Verma  
  Ashutosh Gowariker  
  Mani Ratnam  
  Aleksandr Petrov  
  Saeed Akhtar Mirza  
  Shekhar Kapoor  
  Yash Chopra  
  Frank Capra  
  V. Shantaram  
  Billy Wilder  
  Rajkumar Hirani  
  Vishal Bhardwaj  
  Tigmanshu Dhulia  
  Dibaker Banerjee  
  Rajkumar Santoshi  
  Majid Majidi  
  Ritwik Ghatak  
  Clint Eastwood  
  Prakash Mehra  
  Manmohan Desai  
  Shoaib Mansoor  
  Anurag Kashyap  
  S. S. Rajamouli  
  B. R. Chopra  
  Stanley Kubrick  
 
  Also Active at  
  Gurmat Darshan.com  
  At Youtube.com  
  At Wordpress.com  
  At Facebook  
  At Twitter  
 
 
 
FROM THE GOOD
OLD DAYS
 January 2017 (7)
 December 2016 (12)
 November 2016 (11)
 October 2016 (15)
 September 2016 (10)
 August 2016 (12)
 July 2016 (12)
 June 2016 (16)
 May 2016 (14)
 April 2016 (17)
 March 2016 (10)
 February 2016 (10)
 January 2016 (9)
 December 2015 (11)
 November 2015 (10)
 October 2015 (10)
 September 2015 (11)
 August 2015 (12)
 July 2015 (15)
 June 2015 (10)
 May 2015 (15)
 April 2015 (16)
 March 2015 (12)
 February 2015 (10)
 January 2015 (14)
 December 2014 (11)
 November 2014 (10)
 October 2014 (10)
 September 2014 (12)
 August 2014 (12)
 July 2014 (21)
 June 2014 (23)
 May 2014 (24)
 April 2014 (23)
 March 2014 (21)
 February 2014 (26)
 January 2014 (28)
 December 2013 (10)
 November 2013 (14)
 October 2013 (16)
 September 2013 (14)
 August 2013 (14)
 July 2013 (12)
 June 2013 (11)
 May 2013 (23)
 April 2013 (10)
 March 2013 (14)
 February 2013 (14)
 January 2013 (15)
 December 2012 (18)
 November 2012 (14)
 October 2012 (15)
 September 2012 (14)
 August 2012 (15)
 July 2012 (12)
 June 2012 (14)
 May 2012 (16)
 April 2012 (15)
 March 2012 (10)
 February 2012 (11)
 January 2012 (11)
 December 2011 (10)
 November 2011 (11)
 October 2011 (15)
 September 2011 (10)
 August 2011 (11)
 July 2011 (11)
 June 2011 (13)
 May 2011 (16)
 April 2011 (14)
 March 2011 (11)
 February 2011 (10)
 January 2011 (12)
 December 2010 (10)
 November 2010 (12)
 October 2010 (11)
 September 2010 (11)
 August 2010 (12)
 July 2010 (12)
 June 2010 (11)
 May 2010 (14)
 April 2010 (15)
 March 2010 (14)
 February 2010 (12)
 January 2010 (15)
 December 2009 (12)
 November 2009 (14)
 October 2009 (15)
 September 2009 (18)
 August 2009 (14)
 July 2009 (16)
 June 2009 (18)
 May 2009 (16)
 April 2009 (18)
 March 2009 (20)
 February 2009 (19)
 January 2009 (20)
 December 2008 (20)
 November 2008 (17)
 October 2008 (21)
 September 2008 (19)
 August 2008 (22)
 July 2008 (23)
 June 2008 (21)
 May 2008 (25)
 April 2008 (22)
 March 2008 (25)
 February 2008 (22)
 January 2008 (22)
 December 2007 (24)
 November 2007 (22)
 October 2007 (22)
 
 
 
 
 
January 18, 2017 Wednesday     

Addressing an important ‘under-carpet’ issue, HARAAMKHOR is unarguably a commendable debut in terms of creating an authentic environment and extracting brilliant performances from the well-chosen cast by the writer-director Shlok Sharma.

Not an easy story to tell, its set in a village of North India and revolves around a middle aged teacher, his relationship with a 14-years old girl student and her two other classmates (boys), who actually lead the narration from their individual perspective. Focusing on the group of mischievous school going kids, HARAAMKHOR remains an enjoyable fair in its entire first hour (like a funny children’s film) until a visually disturbing scene comes just before the intermission along with an ‘awareness disclaimer’ prominently written on the screen like the routine ‘smoking warning’.

It slows down post interval due to a predictable story progression but the two kids successfully keep it going, following their suspicious teacher and classmate providing the entertainment factor. Sadly, soon the narrative becomes scattered and a lot is left for the viewer’s own imagination, breaking the much-required connection. Further it all ends in a highly vague and confused manner too leaving you unmoved or perturbed (probably because a lot might have got chopped in the censored version I am not really sure of).

So the film does have its solid merits giving us a promising director, who is extremely confident, has an eye for details and perfectly knows how to deal and get the performances extracted from his gifted cast. It has Nawazuddin Siddiqui, who simply hits the bulls eye once again getting into another sick and twisted character of his career with an amazing ease and Shweta Tripathi, who truly stuns you playing a 14 years old student at the age of 31. The girl makes you believe that she is 14 with the help of her talented director and that is nothing short of a big achievement for sure in terms of an ‘unusual portrayal’.

However, the two actors who actually save the film from becoming a tough watch are the kids Irrfan Khan and Mohammed Samad (in particular), who frankly turn the film into a decently entertaining one through their funny and hilarious acts till the unexpected tragic climax.

Though it also has some deep, meaningful sequences expressing the issues of adolescents and their first encounter with romance, infatuation and sex too in its impressive first half. But even there, it’s the immensely likeable act of these two kids only that keep the ball rolling along with Nawazuddin and Shweta providing the more passionate moments. In straight words, take the two kids out of HARAAMKHOR and it falls flat despite its strong merits of an authentic environment, superior performances and a significant reality based subject.

Having said that, its this hilarious (read comical) and immensely engaging angle of the film only that eventually turns into a highly confused venture, conceived with an eye on both festival and general audience together following a completely flawed vision.

Making it clear, yes the film has a horrific or disgusting subject revealing an ugly social reality existing right amongst us. But at the same time it’s also witty, hilarious and entertaining too for most of its part, largely defying ‘the awareness purpose’ of its plot of child-abuse. As an honest sharing, I couldn’t understand or bear why humour and comedy was used as a tool by the writer-director bringing forward a subject of such alarming importance.

Putting it differently, I would actually like to question that as a viewer……. 
Am I supposed to enjoy watching a middle-aged teacher sexually abusing a teenage girl student (doing it again after already being married to another young student of his)?

Am I supposed to laugh while that’s being shown on the screen through the eyes of two peeping toms (the boys) completely forgetting the heinous act?
OR
Should I have a strong feeling of hatred and disgust for the evil teacher well-enacted by the now habitual Nawazuddin Siddiqui?

Yes, ideally there should have been an intense feeling of disgust and hatred felt while watching the film’s second half. But strangely HARAAMKHOR doesn’t let you do so, because of its funny and enjoyable environment maintained throughout the final hour before the abrupt finale.

As a result, the viewer keeps smiling or laughing, watching through the eyes of two spying boys always following their school-tuition teacher and his favourite student. In fact at times it looks like the film itself is enjoying focusing on the ‘mentally sick character’ of Nawaz playing his dirty games.

Therefore, HARAAMKHOR strictly works if you consider it only for the performances extracted and the regional ambience created by the director and his technical team. But it miserably fails when you look at the way it portrays a critical social issue in a questionably entertaining and comic manner, probably trying to satisfy two entirely different kind of audiences. The team rightly chooses a relevant and potential subject that could have resulted in a hard-hitting, thought provoking film lifted by the four terrific performers. But the writing deliberately mixes it with ‘too much’ of deviating humour, largely shifting the viewer’s focus from a distressing social problem.

In short, HARAAMKHOR keeps hanging in the mid and leaves you with absolutely nothing in the end, except the two laughing kids in the mind while walking out of the theater, which is not supposed to be the end-result of a film talking about an innocent, child abuse victim.

Rating : 2 + 1 / 5 (and the additional one is just for Shweta, Irrfan and Mohammad Samad playing the three young classmates.)

Tags : Haraamkhor Review by Bobby Sing, Haraamkhor Film Review by Bobby Sing, New Hindi Movies Reviews, New Hindi Movies Released, New Bollywood Reviews, Bobby Talks Cinema Review, Reviews By Bobby Sing, New Hindi Films Reviews at bobbytalkscinema.com, Off Beat films made on social issues, New Thought provoking films, Children Based film, Hindi films on adoloscents.
 
 
13 January 2017 / bobbysing /
leave a comment
 


OK JAANU
- If only pretty faces is all you are looking for in a supposedly new-age love story.
But to be exact, if you are not willing to ruin the experience of enjoying a good film then watch the original O KADHAL KANMANI (Tamil) instead and do yourself a favour.

HARAAMKHOR -  Its not just leading actors but the two kids who actually save this film from becoming a tough watch.

SARVANN (Punjabi) - Didn't expect such a weak and irresponsible film from a talented team, poorly mixing the elements of Rajesh Khanna's ROTI and DUSHMAN.
Unfortunately the team delivers a pretty bad film when it was actually needed the most, with Priyanka Chopra making her production company's debut in Punjabi Cinema.

(Detailed Reviews to be updated soon in the coming days)

Cheers!

Tags : This Friday One Line Reviews by Bobby Sing for your weekend plans, Ok Jaanu Review, Haraamkhor Review, Sarvann (Punjabi) Review By Bobby Sing
 
 
13 January 2017 / bobbysing /
leave a comment
 

RangiTarangaRangiTaranga (meaning ‘colourful wave’), though might not be a perfect mystery-thriller to be rated as an outstanding ‘who-dun-it’ movie. But it does have its own exceptional merits in terms of cinematography and a very superior mix of horror and suspense elements woven into the narration, written and directed by Anup Bhandari making a highly impressive debut.

Revolving around a novelist writing his novel titled ‘RangiTaranga’ using a fictional author name, the film begins with his visit to the village of Kamarottu (his wife’s ancestral home) for some kind of sacred purification. A young journalist is following him too searching for the real author and there they all get to experience many strange and unexpected events (including deaths) hinting towards occult and crime together in a quite frightening manner. The continuous incidents slowly get linked to many powerful people of the village and from there onwards the film moves to many serious twists and turns leading to all carefully kept dark secrets revealed in an engaging end.

To be exact, a few worth mentioning outstanding merits truly convert ‘Rangitaranga’ into an engrossing must watch thriller as mentioned below.

First of all it’s the visual breathtaking impact the film makes on the viewer with a stunning cinematography (by Lance Kaplan and William David), an effective background score (by B. Ajaneesh Lokanath) and a well written story progression, keeping you involved throughout despite a few moments of dragging in the mid.

Second is the superfine, entertaining mix emphasizing on the regional flavour, natural surroundings, the culture, the local superstitions and the usual romantic and thriller elements enhancing the basic theme.

But most importantly it’s the fact that the film is a highly appreciable collective effort of many debut performers including the writer-director Anup Bhandari who has even composed the songs and written their lyrics too. Though it surely could have been much tighter and focused with a few less songs, still they mostly work due to their catchy compositions by the director himself, that isn’t less than any rare exceptional achievement made in the present times.

Adding all realistic scary sequences in the film, Anup reportedly got his inspiration from a track featured in a television serial (as mentioned at more than one places) and then found a commendable support from many debutant artists too playing the key roles of his script making it a worth watching crime thriller.

In short, if you love this particular genre offering an enjoyable mix of horror and mystery together, then RangiTaranga will not disappoint you for sure, even though it might leave you with a couple of questions unanswered post an emotional and mature climax. So do go for it as your next and have a good time with this colourful wave of suspense having a technical edge.

Rating : 3.5 / 5

Written, Music, Lyrics and Directed by : Anup Bhandari
Produced by : H. K. Prakash
Starring : Nirup Bhandari, Avantka Shetty, Radhika Chetan, Saikumar and more.

Tags : RangiTaranga Review by Bobby Sing, RangiTaranga (Kannada) Film Review by Bobby Sing at bobbytalkscinema.com, Regional Language Indian Cinema, Worth Watching Regional Language films. Crime Mystery Thrillers from South Cinema, Anup Bhandari and his RangiTaranga.
 
 
10 January 2017 / bobbysing /
leave a comment
 
 
 
Reviews in All (929)

 
 
 
Inspired Hindi Movies
Alphabetical
List (495)
 
 
 
 
Articles on Music,
Poetry & Life (96)
Did You Know! (88)
Few Life Inspiring Words! (22)
Nostalgia (Books on Cinema,Vintage Magazines, Scans & more) (28)
 
 
   
   
   
   
   
   
   
   
   
   
 
 
 
   
 
   SEARCH
 
 
 
 
   
 
   
 
Page copy protected against web site content infringement by Copyscape
Google Analytics Alternative
 
 
 
The site is a collection of personal expressions of the writer to share his own views on different mediums of art, with no intention of hurting any person or organisation in particular. The site is also not responsible for any inappropriate acts practiced by the third party links added here only for information purposes.
   Visit bobbytalkscinema.com for Bollywood Movie Reviews, Inspired Cinema, Movies To See Before You Die, Amazing Bollywood Facts, Articles On Cinema, Music, Poetry & Life
 
Site Best View At 1024 X 768 Resolution & Above